Green's approach encourages viewers to reflect on their relationship with their own shadow, delving into themes of double animism and symbology. Analysing the shadow, for Green, is akin to a unique form of psychoanalysis. She confronts her dark, undesired traits, emphasising the necessity of acknowledging and integrating these aspects to full accept one's identity.

​

Her use of phosphorescent paint adds a dynamic element to her pieces, highlighting both real and fictitious components. This technique transforms the canvas depending on the presence or absence of light, creating a dual nature in her work. By day, her art depicts poignant yet deceptively simple landscapes. In darkness, however, these scenes shift to reveal a dreamlike allure, engaging viewers in a continuous oscillation between immersion and emergence. Light, therefore, becomes a pivotal element, shaping the viewer's experience and the work's interpretation.